Capturing the soul of horses at liberty

Capturing the soul of horses at liberty

Capturing the soul of horses at liberty

Having been life-long horse people, we know how important it is to understand horses; the way they move, their behaviours and individual characters to really get the most out of an equine photoshoot. 

To our clients, their horses are family and they have commissioned you because they want you to capture the soul of their horse and the relationship they have with them.

You must always remember that horses can be unpredictable and part of your job as an equine photographer it to get to know your subjects so you can have a fun, safe and successful at-liberty shoot.

Breeding & personality

Think about the breed of horse you are photographing and the type of images you might produce to truly capture its character. For example, if you were photographing an Arabian horse, they are typically firey so you might want to focus on the beautiful bend in their neck and the flair of their tail held up high as they run.

Plan, plan and plan some more

Carefully consider how you will use the location, lighting, compostition and post-processing to capture your subject. Are you going to zoom in tight to capture intricate details or capture the horse standing proudly on the brow of a hill for a dramatic shot? Are you going to shoot outdoors utilising natural light or indoors with artificial lighting? Are you going for high drama and dark contrast or bright and soft, with muted tones? Make sure to have an idea in your head of what direction you would like the to shoot to go in and how you plan to execute it. The more you plan, the more space you give yourself to get creative.

Safety

Set yourself apart as a true professional by covering all your bases when dealing with horse safety. Horses are unpredictable; all it takes is a rather scary looking plastic bag to make an otherwise reliable horse to freak out and head for the hills!

When shooting a horse at liberty, use an enclosed space – large enough to get the galloping shots (if that is what you are aiming for) but not too large that you will lose your subject a few fields away! Check to make sure gates are shut and fences are high enough that they won’t be tempted to go show jumping. Communicate your plans to the owner, but be aware of body language – our clients want to say yes but if there is any doubt make sure to ask more questions. Give your assistant/s a brief to ensure they are also aware of the basic rules of dealing with horses on the ground e.g don’t walk behind their hind legs. Remember to keep yourself safe as well – it is easy to get lost in the moment but you need to make sure you are avoiding flying hooves.

Be brave

The photographers who make an impact in this industry are the ones who push the boundaries. Don’t let fear stop you – be brave, step outside your comfort zone and have fun with it! Experiment with different shutter speeds, angles, compositions, exposures, filters and so on – there are no limits.

Even if you come away from a creative shoot with only a handful of useable images, if you keep going out there and trying something new, your portfolio will start building up pretty quickly.

 

slow shutter speed galloping horse

Testimonials from 3 day Business of Equine Photography course

Testimonials from 3 day Business of Equine Photography course

Last week, I had 6 delegates enrolled on the 3 day Business of Equine Photography course, who stayed here in Burley in The New Forest to carry out some intense equestrian photography training!

We had a really great 3 days, with lots of laughs as well as hard work. Below are some testimonials written by the delegates which are, quite frankly, very flattering as well as a great reflection of what this course has to offer!

Furthermore, one of our delegates, Michelle, has created a couple of video slideshows which showcase some of her amazing equine portfolio she was able to build while on the course!

-Awesome course! It’s down to you that I’ve managed to make a point of telling people about equine photography. I wouldn’t hesitate to recommend this or any other course by Emily; I would come back in the future! Thanks Emily. Nicky Chadwick, Bradford.

-Great balance of business presentations, exercises and critiques and really appreciated the level of detail you went into. Felt totally at home at the training barn; a more friendly and less corporate-like atmosphere. Your course has given me the confidence to pursue a genre that is so intensely inline with what I love in my true heart. So thank you honestly and from the bottom of my heart for how much you have helped me over the last three days! Michelle Wildman, London.  

-Interesting and well organised set up, both with shoots and business. At first I felt slightly out of my depth but as the course progressed you made this much easier for me! Fantastic food and a brilliant 3 days, would definitely recommend this course to others! Gary Horner, London.

-10 out of 10, fabulous practice and port folio opportunities. Feel so inspired and looking forward to the future now. Can’t thank you enough and will be recommending your course. Amazing, thank you. Leslie Bliss.

-Thorough and honest course which provided invaluable knowledge for making the best start in equine photography. I have come away with so much knowledge and inspiration as well as general excitement! Emily, you are a wonderful teacher! It was very relaxing learning at the Training Barn in terms of the relaxed manner and great location, thanks! Matthew Bishop, London.

-The course covered everything brilliantly for everyone at different stages in their photography career. There was loads of opportunity to develop and shoot individually which was the benefit of having a maximum of 6 delegates on the course. Fab food and hospitality. Without a doubt would recommend and I loved every minute! I have learnt so much, thank you! Kate Alford, Somerset.  

http://youtu.be/WpnIQan0F4A

http://youtu.be/Q-WnVd1HD_8